Gustave Guitton , Gustave Le Rouge. The Transatlantic Threat.
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The Victims Victorious. The Tower of Destiny. The Child Who Walked on the Sky. Investigations of the Future. Ouha, King of the Apes. The Frenetic People. The Unpretentious Philosopher. Louis-Guillaume de La Follie.
Isoline and the Serpent-Flower. The Conquest of the Air. Love in Five Thousand Years. Paris in the Year The Castaways of Eros. In a Thousand Years. The Children of the Crab. The Conqueror of Death. Someone Is Stealing Children in Paris. The Exploits of Professor Tornada: Volume 1.
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The Exploits of Professor Tornada: Volume 2. The Exploits of Professor Tornada: Volume 3. The Olotelepan and Other Stories. The Masters of Silence. This lack of fit between daring and sometimes arduous speculation, often governed through extrapolations based on the theory of Evolution , has marked his career throughout; at its least effective, the attempted marriage of Genre SF idioms and the Scientific Romance gives off a sense of barely concealed impatience with the former. Based on Homer 's Iliad and Odyssey , the trilogy was dismissed as cynical hackwork not least by Stableford himself ; although the narrative has verve, it clearly does not attempt to pay due homage to its source.
The Grainger novels — first-person narratives in a Chandleresque style — concern the adventures of the pilot of a Faster-than-Light Spaceship , the Hooded Swan , on a variety of planets.
senrei-exorcism.com/images/snapchat/mobile-telegram-tracker-galaxy-note-8.php In the first tale Grainger, marooned on a remote world, becomes host to a mind parasite see Parasitism and Symbiosis , a benign entity which occasionally takes over his body and drives it to feats of endurance. In later books the increasingly disillusioned, sardonic, pacific Grainger penetrates further biological mysteries, but the series itself holds back from fully articulating the subversiveness of his behaviour, and there is little sense of accumulating burden.
A second series — the Daedalus Mission books, comprising The Florians , Critical Threshold , Wildeblood's Empire , The City of the Sun , Balance of Power and The Paradox of the Sets — recounts to similar effect the various experiences of the crew of the spaceship Daedalus , which has been sent out to re-contact lost Earth colonies after the Interregnum period frequently found at the heart of the dominant form of American Future History from the s on.
Most of Stableford's early novels were members of such series, but Man in a Cage , an unformulaic singleton, deals with the Psychology of social adaptation as dramatized through a schizophrenic narrator selected to participate in a space-project where "sane" men have already proved inadequate.
A powerfully written but difficult novel, it is slightly reminiscent of the best work of Robert Silverberg and Barry N Malzberg. The Mind-Riders , perhaps somewhat more conventional, is narrated by a cynical boxer who performs via an electronic simulation device while the audience "plugs in" to his emotions. Like Grainger's wonderful spaceship, and like the false personality which "cages" the hero of Man in a Cage , the simulator is an armour surrounding the self see Mecha , enabling the protagonist to survive in a hostile world. The Face of Heaven — the first part of a trilogy published in one volume as The Realms of Tartarus — is a biological phantasmagoria concerning a Utopia built on a huge platform above the Earth's surface, and the conflict with the mutated lifeforms which proliferate below.
This tale, choked with ingenious invention and grotesqueries, and The Walking Shadow ; vt The Walking Shadow: An Promethean Scientific Romance stand as Stableford's most clearly Stapledon -esque epics, and show a vein of contemplative wonder that he was later — in the impressive academic study, The Scientific Romance in Britain ; much exp vt New Atlantis 4vols — to characterize as an essential element tending to distinguish British from American sf. The Asgard trilogy, set on a kind of Hollow Earth in another solar system, begins with Journey to the Center ; rev and was belatedly completed with Invaders from the Centre and The Centre Cannot Hold The Face of Heaven — the first part of a trilogy published in one volume as The Realms of Tartarus — is a biological phantasmagoria concerning a Utopia built on a huge platform above the Earth's surface, and the conflict with the mutated lifeforms which proliferate below.
This tale, choked with ingenious invention and grotesqueries, and The Walking Shadow ; vt The Walking Shadow: An Promethean Scientific Romance stand as Stableford's most clearly Stapledon -esque epics, and show a vein of contemplative wonder that he was later — in the impressive academic study, The Scientific Romance in Britain ; much exp vt New Atlantis 4vols — to characterize as an essential element tending to distinguish British from American sf. The Asgard trilogy, set on a kind of Hollow Earth in another solar system, begins with Journey to the Center ; rev and was belatedly completed with Invaders from the Centre and The Centre Cannot Hold After this trilogy Stableford stopped producing fiction for some time, concentrating on popular and scholarly studies of sf and Futures Studies like The Science in Science Fiction with David Langford and Peter Nicholls and The Sociology of Science Fiction ; he also contributed very widely during this period to a number of journals, including Foundation: , and to various scholarly anthologies, including many of the essays in E F Bleiler 's two anthologies devoted to extended studies of individual authors: Science Fiction Writers anth and Supernatural Fiction Writers anth US 2vols.
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He has served as contributing editor to both editions of this encyclopedia. Other important works include The Scientific Romance in Britain see above and The Report: A Concise History of the Future, with Norman and Christopher MacRae, all writing together as Norman MaCrae, in which the future is treated in Utopian terms, Technology having brought huge benefits to post-bureaucratic-states self-governing small communities.
Stableford returned seriously to fiction with The Empire of Fear , an Alternate History of Europe from the Middle Ages to the present in which immortal Vampires — whose condition is here scientifically premised and shorn of supernatural trappings — dominate the world; told with the geographic sweep and visionary didacticism typical of the Scientific Romance , the book successfully assimilates into sf modes some of the vast lore of the Vampire.
With these novels, Stableford suddenly became a writer whose fiction befitted his intelligence, for in much of his earlier work a certain tone of chill indifference had tended to baulk the reader's identification. The change was most welcome, and Young Blood — which could be described as a Scientific Romance about the biochemical roots of human identity within the context of an unconventional Vampire tale — fully justifies the sense that Stableford had entered his years of flourishing. This sense that Stableford had entered his late prime is even more clearly evident in the long experiment in describing the future that began in a nonfiction book, The Third Millennium: A History of the World AD with David Langford , which again provides a vision of Utopia , though with an optimism less forthright than in previous similar work.
The Third Millennium , with its focus on biotechnology see Biology ; Genetic Engineering , provided a taking-off point for the sharp tales assembled in Sexual Chemistry: Sardonic Tales of the Genetic Revolution coll , which is thematically connected to the Biotech Revolution sequence see below ; and underlies the most ambitious sf work of Stableford's career similarly connected to the Biotech Revolution sequence , the Emortality sequence comprising here listed according to internal chronology The Cassandra Complex , Inherit the Earth July Analog ; exp , Dark Ararat , Architects of Emortality October Asimov's as "Les Fleurs du Mal"; exp , The Fountains of Youth April Asimov's as "Mortimer Gray's History of Death "; exp and The Omega Expedition , the last volume playing off on most of what has gone before.
The overall story is a Future History conducted in the mode of the Scientific Romance , only intermittently focusing on continuous figures in a long drama consequent upon the near destruction of human life through a biotech Disaster known as the Plague Wars in the distant Near Future , after warnings of disastrous Climate Change have been ignored. The society that then evolves is explained essayistically through an intense application of the principles of Sociology to the various dilemmas and opportunities — from Overpopulation to Immortality and the ultimate Transcendence of our human condition see Posthuman — that follow on from the introduction of Nanotechnology -enabled extended lifespans, whose eventual use in Generation Starships justifies the exploration of nearby stars, where First Contact is made and ethical dilemmas proliferate.